Recording evidence of my ongoing practical, experimental and iterative design including tool sets, methodology and outputs, capturing moments of insight and happy accident.
My Ph.D. thesis – The Augmented Tonoscope: Towards a Deeper Understanding of the Interplay between Sound and Image in Visual Music – and downloadable disk image of the accompanying hybrid DVD.
Online documentation and supporting notes of the development of Whitney Triptych.
Details and documentation of the screening of Stravinsky Rose in half sphere format at the Understanding Visual Music – UVM 13 Concert, 9 August 2013, Galileo Galilei Planetarium, Buenos Aires, Argentina.
I participated in the Designing Our Futures The Writer as Designer/Designer as Writer course – two seminars and a 5-day Arvon Foundation workshop on offer to postgraduate and early career researchers from May 2014.
Documentation and details of the Cymatic Adufe, exhibited as part of the 21st Century Rural Museum in MUDE – Museu do Design e da Moda, Lisbon, 16 May to 31 August 2013.
Documentation and details of the Cymatic Adufe, exhibited as part of the 21st Century Rural Museum in the Palácio das Artes – Fábrica de Talentos, Porto, 3rd November to 31st December 2012.
The members of the PPR group ran a Studio Week 20-24th August 2012 – an opportunity to focus on our practice while working alongside colleagues in a shared space and also engage in group discussion and critical reflection.
At the outset of my research project, I suggested that one intended artistic output would be an installation piece for a gallery setting based on the principles of Cymatics – the study of visible stationary or standing wave patterns induced by sound.
Since May ’11 I’ve been experimenting with different approaches to analogue tonoscope design and documenting my approaches, outputs and conclusions.
iPhoto slideshow as MP4 and ‘script’ as PDF of a presentation at Seeing Sound 2, Bath Spa University, UK on 29th and 30th October 2011.
