Demonstrating rigour in respect to the imaginative creation, thoughtful composition, meticulous editing and professional production of new artwork.
My Ph.D. thesis – The Augmented Tonoscope: Towards a Deeper Understanding of the Interplay between Sound and Image in Visual Music – and downloadable disk image of the accompanying hybrid DVD.
Video documentation, ‘script’ as PDF and iPhoto slideshow of my presentation at the Unpacking Models of Practice as Research Symposium, MIRIAD, Manchester Metropolitan University, UK on 23rd January 2015.
Online documentation and supporting notes of the development of Whitney Triptych.
Online documentation of works developed and performed with Ben Lycett at Seeing Sound 3, Bath Spa University, UK on 23rd-24th November 2013.
iPhoto slideshow and video documentation of my presentation and performance with Ben Lycett at Seeing Sound 3, Bath Spa University, UK on 23rd-24th November 2013.
Online 720p version of a v2.0 edit of Stravinsky Rose in 1080p submitted to Colour Out of Space 2013.
Details and documentation of the screening of Stravinsky Rose in half sphere format at the Understanding Visual Music – UVM 13 Concert, 9 August 2013, Galileo Galilei Planetarium, Buenos Aires, Argentina.
Documentation and details of the Cymatic Adufe, exhibited as part of the 21st Century Rural Museum in MUDE – Museu do Design e da Moda, Lisbon, 16 May to 31 August 2013.
Documentation and details of Stravinsky Rose and Exploding John Hyatt’s Pixels, performed and screened at UpClose 4, Deaf Institute, Manchester, UK, 23rd April 2013.
Documentation and details of the Cymatic Cello, performed at UpClose 3, International Anthony Burgess Foundation, Manchester, UK, 26th March 2013.
Documentation and details of The Whitney Modality, exhibited as part of WAYS TO ESCAPE_, 2022 NQ, Manchester, UK, 15th – 23rd March 2013.
Documentation and details of the Cymatic Adufe, exhibited as part of the 21st Century Rural Museum in the Palácio das Artes – Fábrica de Talentos, Porto, 3rd November to 31st December 2012.
