Bibliography

An evolving listing of referenced and cited sources…

This is a list of all references included in The Augmented Tonoscope papers and research proposals. Although some references may be repeated within consecutive papers they are not duplicated here and are listed only for their first inclusion.

References

‘The Eye Hears, The Ear Sees’ – Listening symposium (11-11)

  • Andersen T.S. et al (2004), Factors influencing audiovisual fission and fusion illusions, Cognitive Brain Research, Vol. 21, Issue 3, pp. 301–308
  • Collins N. & d’Escriván J. (Eds.) (2007), The Cambridge Companion to Electronic Music, Cambridge University Press
  • Kastner S. et al (1998), Mechanisms of Directed Attention in the Human Extrastriate Cortex as Revealed by Functional MRI, Science, Vol. 282 No. 5386 pp. 108-111, 2 October – http://www.sciencemag.org/content/282/5386/108.abstract [accessed 10 November 2011]
  • Macdonald J. & McGurk H. (1978), Visual influences on speech perception processes, Perception & Psychophysics, Vol. 24 (3), pp. 253-257
  • McNeill, D. (1992), Hand and Mind: What Gestures Reveal about Thought, Chicago, The University of Chicago Press
  • Shams L., Kamitani Y. & Shimojo S. (2000), Illusions: What you see is what you hear, Nature, Vol. 408, Dec. 14, p 788
  • Shams L., Kamitani Y. & Shimojo S. (2002),Visual illusion induced by sound, Cognitive Brain Research, Vol. 14, Issue 1, pp. 147–152

 and useful, albeit non-academic references

A Visual Music Manifesto (10-11)

  • Marinetti F.T. (1909), The Founding and Manifesto of Futurism, Le Figaro, Paris, February 20, http://www.italianfuturism.org/manifestos/foundingmanifesto/ [accessed 16 August 2011]
  • Tzara T. (1918) Dada Manifesto, http://www.freemedialibrary.com/index.php/Dada_Manifesto_(1918,_Tristan_Tzara), [accessed 16 August 2011]
  • Scrivner L. (2006), How to Write an Avant-Garde Manifesto (a Manifesto), http://en.wikipedia.org/wiki/Art_manifesto (downloadable as a PDF from) http://www.londonconsortium.com/wp-content/uploads/2007/02/scrivneripmessay.pdf [accessed 16 August 2011]

Understanding Visual Music 11 (08-11)

  • Alves, B. (2004), Digital Harmony of Sound and Light, Computer Music Journal, Volume 29, Number 4, Winter 2005
  • Battey, B. (2004), Bézier Spline Modeling of Pitch-Continuous Melodic Expression and Ornamentation, Computer Music Journal, Winter 2004, Vol. 28, No. 4, Pages 25-39
  • Penner, R. (2002), “Motion, Tweening, and Easing“, Programming Macromedia Flash MX, Berkley: McGraw-Hill/Osborne, Pages 192-217

EVA 11 (07-11)

  • Barbrook R. (1998), The Hi-Tech Gift Economy, http://www.imaginaryfutures.net/2007/04/19/the-hi- tech-gift-economy-by-richard-barbrook/ [accessed 28 June 2011]
  • Fischinger, O. (1932) “Klingende Ornamente” Deutsche Allgemeine Zeitung, Kraft Und Stoff. 30, http://www.centerforvisualmusic.org/Fischinger/Sou ndOrnaments.htm [accessed 7 Apr 2011]
  • Goldstein, B. (2009), Cymatica, http://cymatica.net/ [accessed 8 March 2011]
  • Hankins T.L. & Silverman R.J. (1995), Instruments And The Imagination, New Jersey: Princeton University Press
  • Moritz, W. (1976), “The Importance of Being Fischinger”, Ottawa International Animated Film Festival Program, 2-6.
  • Moritz, W. (1986), “Towards an Aesthetics of Visual Music”, ASIFA Canada Bulletin, 14(3), 1-3. [online at http://www.iotacenter.org/visualmusic/articles/morit z/moritz_aesthetics, [accessed 10 March 2011]
  • Whitney, J. (1980), Digital Harmony: On the Complementarity of Music and Visual Art, Peterborough, N.H.: McGraw-Hill

RD1 (06-11)

  • Chladni, E.F.F. (1787), Entdeckungen über die Theorie des Klanges (“Discoveries in the Theory of Sound”), Leipzig: Weidmanns Erben und Reich
  • Jenny, H. (2001), Cymatics: A Study of Wave Phenomena and Vibration, New Hampshire: Volk, J.
  • Goldstein, B. (2009), Cymatica, http://cymatica.net/ [accessed 8 March 2011]
  • Telfer, J. (2010), “Introduction” Cymatic Music, http://www.cymaticmusic.co.uk/ [accessed 8 March 2011]

 This is a ‘work in progress‘ list of references which may be included in future papers, proposals and transfer reports.